I was very fortunate in 2011 – 2012 being awarded a
sabbatical of one semester i.e. five months to research for and start writing The House on Schellberg Street. This is
the story of a Holocaust survivor and the world she left behind. I am a senior
lecturer at the University of Salford and like all academics struggle to find
time for research, though we aim to base our teaching on it.
My access to a primary resource, letters from school girls
who carried on writing to each other until they were young women, stood in my
favour. As I’m a creative practitioner also, the actually writing of a piece of
fiction is sanctioned as part of the sabbatical. I did get a first draft
completed in that time.
My first task was to transcribe the letters. I simply typed
them out in German and then translated them. Fortunately I speak German
fluently. The handwriting was often difficult to read though the clearest was
that of the class teacher, Hanna Braun. This was a really useful exercise as it
really got me into their heads and helped me understand what it was like being
an eighteen-year-old German girl then. I began to understand the personality of
each girl. Some of these texts were quite boring though there were some interesting
snippets. Two themes emerged: camaraderie and duty. I can understand how these
would appeal to young women.
I did completely fictionalize the women for both ethical and
artistic reasons. However, there is the essence of the truth in the story.
It was most certainly a worthwhile sabbatical. Four further
stories have presented themselves:
·
Clara’s biography (partly true) – completed
·
The story of a couple of girls (completely fictional – apart from some
mention of the school on Schellberg Street) –completed
·
The women who almost shot Hitler (I’m about to
start this and I’m anticipating some disbelief – but it really happened)
·
The Round Robin – more stories about the young
German women.
In addition, I’ve carried out
several school visits and also looked with the eyes of an academic at the
balance between fact and fiction involved in historical fiction and the
writers’ process involved.
So, on the whole, a worthwhile
sabbatical. The output continues.
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