Thursday 17 December 2020

Bury Art Museum Workshop 6 Writing a piece of flash fiction

 


Story often comes from the tension between characters. Some writers just like to start writing and see what happens, others like to plot in detail. But whichever sort of writer you are there is no story unless there is a problem between the characters and unless the main character has changed somewhat by the end.   

Can you now write the rest of the story that we started in the last exercise?  

Or could you get the whole of your story into a haiku?   

Flash fiction can be up to 1,000 words and as few as six. 

A reminder of story shape:

      What is the first major problem?

      Which other things go wrong?

      How do these things come to a head? What is the point of no return?

      What does your hero now have to do to get to a point of calm again?

      How does it happen?

 

Follow up work

You could try another combination of the characters we met.

Try using more and fewer words. Which works best for you? 

Find ideas from other pictures.  Remember also you can tell the story of minor characters from well-known stories. Make the hero the enemy, the friend the mentor etc.  Bring an old story into the 21st century.      

Student work

 

The Quarrel
‘I’d need a magnifying glass to see what you say is on those scales.’
‘Remember, sir, fairy dust is meant to be difficult to see.’
My client grunted. ‘How do I know you’re not conning me? I remember when those tailors conned our Emperor. Poor sod caught his death!’
I retrieved a speck of dust and flung it at my client. His clothes fell off. It was not a pretty sight.
‘Now will you believe there is fairy dust on those scales!’.

Allison Symes - July 2020

 

100 words

“Why are they demonstrating?”

“Something to do with wearing masks.”

Philip and Mary stood on their balcony watching the banner-waving people below.

“I need to get to work”

“You’ll be lucky, the streets are packed.”

“I don’t understand, what’s the problem with wearing masks?”

“Don’t ask me! I always wear one when I go out. It’s to do with civil rights or something. I s’pose they resent being told what to do.”

In one of those freak accidents, a fly flew up Philip’s nose making him sneeze.  The blast ricocheted off the blocks of flats.

Suddenly, the streets were empty. 

 

Image by S Greendragon from Pixabay 

 

Monday 30 November 2020

Bury Art Museum Workshop 5 Characters from the BAM

 








Look at the pictures above and choose four characters.

These are the characters that often appear in stories.  

·         Hero (Cinderella, Harry Potter)

·         Mentor (The Fairy Godmother – Dumbledore – can be something non-human in a more sophisticated story.  The mentor usually disappears and leaves the hero to resolve the story on their own)  

·         Enemy (Stepsisters and stepmother, Voldemort, in more sophisticated stories can be a set of circumstances – e.g. poverty, illness)  

·         Friend (Buttons, the mice, Ron, Hermione, Hagrid – the friend offers help and comfort but has very little power)    

Think about what each one is like physically, intellectually and emotionally. Personality? What is their greatest desire and fear?

Then we’re going to put the hero with one of the others and see what happens.  Write a short scene in which the two meet.   

Follow up work

Can you slot the scene you made up into a story?

Can you use other combinations of characters from the picture to create another set of story characters?

Have good look around the BAM site for other pictures that might promote story ideas. Once we’re out of lockdown take a trip to the art museum.

Look around other museums’ and art galleries’ web sites for ideas for stories.  Or when we’re not locked down take a trip around one.

Note: if you do use sites like this to inspire your stories, give them an acknowledgement.   

Student work

THE APPLE PICKER
Don’t ask why the boss wanted me picking apples when most weren’t ready.  She wanted the best apple with an unforgettable taste for a  special friend. She selected the biggest, shiniest green apple I’d found and smiled. I know she’s going to do something with that apple.

Allison Symes - July 2020

 

THE POSTCARD CLOCK
She opened the parcel. Oh, she knew the handwriting. She hadn’t expected to see that again. Not after Jen stormed off a month ago. The only reason she, Mary, had not stormed off was the row happened in her house.


But she wasn’t going to forget what Jen said about her ill mother. If Jen thought some cheap trinket could make Mary forget, Mary would let her know otherwise.


Still I suppose I should see what this is, Mary thought. I need to know what it is I’m going to moan at Jen about.

 
It was a postcard clock with Carte Postale at the top with the Roman numeral for twelve. The background picture was a lily of some thought. A peace offering, Mary wondered.
There was a note too. Jen’s script was neat so unlike Mary’s scruffy kind. All it said was “time to make up?”

Allison Symes - July 2020

 

PERSONAL CHOICES
She is coming to see me. She will say she knows how I’m feeling and this is a passing phase. How would she know? She is Mother Superior and needs Sister Wendy to help her to come to my cell at all.
I look out of my window. There is life in those streets. And, dare I think it, men too. What was I thinking of when I joined the convent? Why did it seem to be the answer to all my ills?


I don’t blame the sisters. Mother Superior did tell me I had to be sure. I was back then. But now… it is all so different. I guess they want to keep me now I’m here. They need young blood. The sisters are mostly over 60 and many of them can add at least a decade to that. But oh I so want to be out there once again and to start again in a less drastic way.


To go from all to nun was drastic. I see that now. What can Mother Superior say about that? Hmm… she’s going to tell me I must stop running away from everything, isn’t she? That running away hasn’t solved my problems so why would it do so now? She might be right but do I really want to stay here forever now? I wish I knew.


‘I know who you’re looking at,” Mother Superior’s voice makes me start.


‘Do you know who he is?’ I saw no point in denying the obvious.


Mother Superior sighed. ‘Yes. He is Mark Kington, illegitimate, and renowned for having strings of girlfriends whom he dumps when they become pregnant.’


‘How has he managed to stay in town, Mother? I would have thought he’d be driven out.’ I pause. ‘Ah.. he must know someone then.’


Mother inclines her head slightly.


‘What about his parents, Mother? Surely they should rein him in.’


‘Mark does not know who his father is. His mother cannot remember.’


‘She sounds lovely,’ I know it’s not exactly Christian of me but I can’t resist the sarcasm especially as I think I can see where Mother Superior is going with this story. She wants to stop me becoming a scarlet woman.  (It would be a drastic change of habit!).


‘She was a young girl who thought she could have a good time. Nobody was going to stop her. Nothing would happen to her. She was far too clever. Then it did happen. Her parents were outraged.  The baby adopted. The girl was put in a convent. The parents couldn’t stand the shame. Nor did they want the girl to ruin her younger sister’s prospects.  Back then it would have done. You yourself know what village gossip can be like. Oh yes, I know your story and what you ran away from to come here.’


‘How do you know this Mark’s story? I am sorry, Mother, if seem rude, but I cannot see why someone like that would talk to someone like you.’


Mother Superior gave me a tired smile but she nodded. 


I looked into her eyes but she didn’t seem to be offended.


‘You may as well know. The sisters here do. The girl put in the convent? She is me!’

Allison Symes - July 2020

The painting with the nuns and the painting with the man asleep with the animals:

213 words

Sister Winifred took the mobile phone out of the pocket of her habit and after a quick glance over her shoulder to make sure Sister Brunhilda and Mother Superior weren’t watching, she sent David a text.

‘Where are you?’

There was no reply.

She stared out of the window, scouring the faces of the passers-by and muttering under her breath. If he didn’t hurry up, she’d have to spend yet another night in this godforsaken convent. The itchy habit irritated her delicate skin and she longed to rip it off. But that wouldn’t be possible until David arrived with her clothes and they could make good their escape. She suddenly had a dreadful thought. Suppose he was kept back at work and couldn’t let her know? Once, he’d dropped his mobile phone in the penguin pool when he was cleaning out their enclosure but he’d promised he’d be more careful in the future. After all, it was the only way they could communicate and plan their elopement. It was imperative. Well, it was for her. She didn’t want to be a nun. But perhaps it wasn’t quite so urgent for David who loved his job in the zoo. But he would come for her. She was sure. He wouldn’t let her down again.

 

The painting of the blocks of flats 

100 words

“Why are they demonstrating?”

“Something to do with wearing masks.”

Philip and Mary stood on their balcony watching the banner-waving people below.

“I need to get to work”

“You’ll be lucky, the streets are packed.”

“I don’t understand, what’s the problem with wearing masks?”

“Don’t ask me! I always wear one when I go out. It’s to do with civil rights or something. I s’pose they resent being told what to do.”

In one of those freak accidents, a fly flew up Philip’s nose making him sneeze.  The blast ricocheted off the blocks of flats. 

Dawn Knox





















 

 

 

Student work

THE APPLE PICKER
Don’t ask why the boss wanted me picking apples when most weren’t ready.  She wanted the best apple with an unforgettable taste for a  special friend. She selected the biggest, shiniest green apple I’d found and smiled. I know she’s going to do something with that apple.

Allison Symes - July 2020

 

THE POSTCARD CLOCK
She opened the parcel. Oh, she knew the handwriting. She hadn’t expected to see that again. Not after Jen stormed off a month ago. The only reason she, Mary, had not stormed off was the row happened in her house.
But she wasn’t going to forget what Jen said about her ill mother. If Jen thought some cheap trinket could make Mary forget, Mary would let her know otherwise.
Still I suppose I should see what this is, Mary thought. I need to know what it is I’m going to moan at Jen about.
It was a postcard clock with Carte Postale at the top with the Roman numeral for twelve. The background picture was a lily of some thought. A peace offering, Mary wondered.
There was a note too. Jen’s script was neat so unlike Mary’s scruffy kind. All it said was “time to make up?”

Allison Symes - July 2020

 

PERSONAL CHOICES
She is coming to see me. She will say she knows how I’m feeling and this is a passing phase. How would she know? She is Mother Superior and needs Sister Wendy to help her to come to my cell at all.
I look out of my window. There is life in those streets. And, dare I think it, men too. What was I thinking of when I joined the convent? Why did it seem to be the answer to all my ills?
I don’t blame the sisters. Mother Superior did tell me I had to be sure. I was back then. But now… it is all so different. I guess they want to keep me now I’m here. They need young blood. The sisters are mostly over 60 and many of them can add at least a decade to that. But oh I so want to be out there once again and to start again in a less drastic way.
To go from all to nun was drastic. I see that now. What can Mother Superior say about that? Hmm… she’s going to tell me I must stop running away from everything, isn’t she? That running away hasn’t solved my problems so why would it do so now? She might be right but do I really want to stay here forever now? I wish I knew.
‘I know who you’re looking at,” Mother Superior’s voice makes me start.
‘Do you know who he is?’ I saw no point in denying the obvious.
Mother Superior sighed. ‘Yes. He is Mark Kington, illegitimate, and renowned for having strings of girlfriends whom he dumps when they become pregnant.’
‘How has he managed to stay in town, Mother? I would have thought he’d be driven out.’ I pause. ‘Ah.. he must know someone then.’
Mother inclines her head slightly.
‘What about his parents, Mother? Surely they should rein him in.’
‘Mark does not know who his father is. His mother cannot remember.’
‘She sounds lovely,’ I know it’s not exactly Christian of me but I can’t resist the sarcasm especially as I think I can see where Mother Superior is going with this story. She wants to stop me becoming a scarlet woman.  (It would be a drastic change of habit!).
‘She was a young girl who thought she could have a good time. Nobody was going to stop her. Nothing would happen to her. She was far too clever. Then it did happen. Her parents were outraged.  The baby adopted. The girl was put in a convent. The parents couldn’t stand the shame. Nor did they want the girl to ruin her younger sister’s prospects.  Back then it would have done. You yourself know what village gossip can be like. Oh yes, I know your story and what you ran away from to come here.’
‘How do you know this Mark’s story? I am sorry, Mother, if seem rude, but I cannot see why someone like that would talk to someone like you.’
Mother Superior gave me a tired smile but she nodded.
I looked into her eyes but she didn’t seem to be offended.
‘You may as well know. The sisters here do. The girl put in the convent? She is me!’
Ends.

Allison Symes - July 2020

The painting with the nuns and the painting with the man asleep with the animals:

213 words

Sister Winifred took the mobile phone out of the pocket of her habit and after a quick glance over her shoulder to make sure Sister Brunhilda and Mother Superior weren’t watching, she sent David a text.

‘Where are you?’

There was no reply.

She stared out of the window, scouring the faces of the passers-by and muttering under her breath. If he didn’t hurry up, she’d have to spend yet another night in this godforsaken convent. The itchy habit irritated her delicate skin and she longed to rip it off. But that wouldn’t be possible until David arrived with her clothes and they could make good their escape. She suddenly had a dreadful thought. Suppose he was kept back at work and couldn’t let her know? Once, he’d dropped his mobile phone in the penguin pool when he was cleaning out their enclosure but he’d promised he’d be more careful in the future. After all, it was the only way they could communicate and plan their elopement. It was imperative. Well, it was for her. She didn’t want to be a nun. But perhaps it wasn’t quite so urgent for David who loved his job in the zoo. But he would come for her. She was sure. He wouldn’t let her down again.

 

The painting of the blocks of flats 

100 words

“Why are they demonstrating?”

“Something to do with wearing masks.”

Philip and Mary stood on their balcony watching the banner-waving people below.

“I need to get to work”

“You’ll be lucky, the streets are packed.”

“I don’t understand, what’s the problem with wearing masks?”

“Don’t ask me! I always wear one when I go out. It’s to do with civil rights or something. I s’pose they resent being told what to do.”

In one of those freak accidents, a fly flew up Philip’s nose making him sneeze.  The blast ricocheted off the blocks of flats.

Suddenly, the streets were empty. 

 

 

 

 

Tuesday 17 November 2020

Bury Art Museum Workshop 4 The Treasure Chest Story

 


Finding treasure

      Look around the room you're in and let your eyes rest on five objects.  For instance I see a yellow pen, a little blue dog, a computer “spider”, a hand bell that’s a lady in a crinoline dress, a china shepherds’ hut.

      You can find your five objects by making a frame with your fingers.  

      Now, choose the two objects that appeal to you the most. They are going to be the basis of your story. I’ll choose the lady and the shepherd's hut.

Take a few minutes to think about your objects and the people they suggest

      Who are these people who own these objects?

      What has happened to them? 

      What do they want to happen?

      What do they need to do? What is the greatest fear?

      What is their greatest desire? 

Story shape

      What is the first major problem?

      Which other things go wrong?

      How do these things come to a head? What is the point of no return?

      What does your hero now have to do to get to a point of calm again?

      How does it happen?

      Can you write all of this in about 150 words and ten minutes?      

My example

“Don’t ever come here again.”

John was so angry. Esmerelda daren't even look back. She would have to sleep in the shepherd’s hut tonight.

Her feet got soaked as she walked over to it and she couldn’t get the door open. Then she had trouble getting her huge skirts through the entrance.

“Take me to my aunt’s house at Holmes Chapel,” she said “and please arrange for the shepherd's hut to be brought along as well.” It was the only thing she owned.      

At last though she was in and she could relax a little. She couldn’t sleep though. What to do? She mulled it over for most of the night. Then she decided.  She could take no more of his cruelty.

“So, where do you want to go, Milady,” asked Charles the next day.

 

Follow-up work 

You can write a few more of these using the frame to identify objects for your story. 

You may like to develop these into longer works. The story outline offered here works for novels and for pieces of flash fiction under 50 words long and all lengths of story in between.    

 

Student work:  

Model Citroen 2CV and a magic wand

150 words:

Sorprendo loved his vintage Citroen 2CV even though it regularly broke down. Usually, that wasn’t a problem but today, his magic wand was stuck in the boot. He swore loudly. He was due at the Conjurers’ Convention in an hour and here he was stuck in the middle of nowhere. And worse, the battery in his mobile was flat. And then it began to rain. Sorprendo got back in the car and viciously slammed the door. The door handle came off in his hand and the back of the rear seats collapsed, falling forward and dropping into the rear passenger footwell. His shoulders sagged and he resigned himself. There was no way he’d make it to the convention now. He turned to see if he could somehow fashion a bed for the night when he realised he could see right into the boot. And there he spied his magic wand… 

By Dawn Knox

Image by Pezibear from Pixabay