Friday, 18 September 2020

Bury Art Museum Workshop 1

 


 

In July 2020 during the Covid-19 lockdown I ran an online creative writing workshop.  This invited attendees to engage with what they had at home and what they could find on the museum’s web site. In this post and the following ones I shall go over the exercises and showcase the attendees’ writing.

The Haiku Exercise

Sit by a window in your home and look and listen for ten minutes. Make a list of what you see or hear. Or maybe even feel or smell.  Jot down a few words and phrases as you are observing. You can write down odd thoughts as well. Don’t worry if you can’t write all of the time. 

Here are some words and phrases I found earlier by looking out of my window:

TV aerial at jaunty angles, trees fluttering, old trees with TPOs, next door’s roses dancing, blotches on the brickwork, radiator creaking, clock ticking,  whoosh, grey clouds, old brick wall, warmth on my toes,  in June, Metrolink, that woman, isn’t she locked down? Some red trees, near the flats, that’s the graveyard, ping pong, an email arrives, aeroplane, are those leaves yellower? Clock on wall, satellite dish, rumble rumble, tick tock, tick tock, measuring time, PVC, plastic doors, lamppost looks like Narnia, blackbird flies   

 

Writing Haiku

      A haiku is a short poem consisting of three lines.

      The first line has five syllables

      The second has seven syllables

      The third has five

      There is some sort of shift often between the second and third line. 

Some examples

      Five syllables:

     Old trees fluttering

      Seven syllables

     Are those leaves there yellower?

      Five syllables and change

     Trees with red leaves dance.    


 

old TV ariels

 stuck at jaunty angles mock

 satellite dishes

 

radiator creaks

clock on wall tick tock tick tock

measuring out time

Follow up work

You can write a lot of these. Some you may throw away. Some that you think work really well you can put in a notebook and collect.  It’s also fun to make them into cards, wall hangings, coffee mugs, mouse-mats, tote bags, calendars, and many other items. 

Try https://www.vistaprint.co.uk/ or https://www.zazzle.co.uk/    

Show case

HAIKU
Tall Silver Birches
Tops of their branches dancing,
Swaying in the wind.


Patterns in our Lawn
Mowing grass on Saturdays;
I cannot cut straight!

Empty Washing Line
Its Whirly Arms beg for more
Clothes; I’ll make it wait!

Allison Symes

View obscured by tree

Photographs on the window

Me and Phil in Greece

 

No birds singing here

Is it the double glazing?

Is it too early?

 Jean Foster   

Thursday, 10 September 2020

TV Addicts

 


Write an article, poem, story or script about someone who is addicted to television.  This might be an individual or a whole family.

The characters

Who are they? What are they like physically, intellectually, emotionally?  What is their greatest desire and what is their greatest fear?   How are they addicted? How does that addiction show?  What effect does it have on their life? 

You don’t necessarily need to write all of this down or even include it in your text but you do need to think about it.

Story arc for fiction or script

Inciting incident

Growing complexities (maybe three?)

Crisis point – point of no return

Climax – have all the excitement here

Resolution (Do they get over their addiction?  Do they do something else?)

 

Structure for an article

Start with “colour” – show us a scene, maybe your telly addict channel surfing

Present us with some hard, verifiable facts.

Quote some experts

Define the problem and suggest a way forward

Finish on another note of “colour”  

 

Poem

Which form will you use? – sonnet, haiku, ode, blank verse, something else?  

Will you emphasize the physical or the emotional? Can the physical suggest the emotional? 

Image by André Santana from Pixabay

Monday, 31 August 2020

A Sense of Time and Place




Look at this in other novels / short stories as well as your own.
  1. What has the writer done here to include a sense of time and space?  
2.      In which ways does this piece of prose resemble a novel rather than an epic story?
3.      How close is the time / space image to real time?
4.      Which bits of the scene are left to the reader’s imagination?
5.      What makes the space concrete here?
6.      Has the writer taken short cuts?
7.      How does this time / space frame impinge on the characters?
8.      Which voices are there in this extract?
9.      Which narrative techniques are used?
10.  How do we recognize different characters from what they say?
11.  Is there an authorial voice?
12.  Does the writer use the senses?
13.  Whose point of view is s/he showing?
14.  How do they show that point of view? 
15.  Does the author step in?    
16.  Can you spot places where the writer goes down deep?  
17.  Where are they more on the surface?
18.  How does the writer use dialogue? 
19.  How is this similar to and different from a film?
20.  What is the balance of exposition, description, dialogue, action, and inner monologue? Does this feel about right and why or why not?  

Image by Vincent Ciro from Pixabay 

Wednesday, 5 August 2020

A Special Sort of Author Talk

 

Theme and Variations is a collection of sixteen flash fiction stories with music – some of it harmonious, some discordant – running through them.
  • A participant in an internalised music scheme chooses to ignore what he assumes is just a glitch…
  • A story vending machine provides more than just a good read for an apprehensive job applicant…
  • When God decides that the Ten Commandments are outdated, how will Saint Peter manage the re-write…?
  • A silent child finds his own way to communicate…
  • A woman’s music competes with her boyfriend for her affections…
Although fictional, these stories also contain many elements of realism. After all, music will always be with, around or in you.
This delightful book is one of a series of little square books my publishing company is producing.
They house collections of Flash Fiction. We’re currently only accepting either people whose books we have published before or those writers who have had five or more stories published in our anthologies or on our CaféLit site.
So possibly the best way to get in there is to get some stories on to CaféLit. I’m now offering talks on how to do this. Would you like me to meet with your group?  I will give a 45 minute talk free of charge.
Longer talks are available on request. Please use the contact form to put in your requests.